Product Description
Microphone features rugged all metal construction and provides professional full-frequency audioSuper-cardioid response for optimum feedback rejection and low handling noiseIncludes a high performance microphone, adjustable microphone stand with microphone clip, and a 20' XLR to 1/4" cable
Product Description
The e935 is a premium cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day after day, 365 days a year. First choice for rental companies and demanding performers.
Customer Reviews:
Great Vocal Mic!.......2007-10-14
Great sounding professional mic. It has a different character than my 58. It has a natural, warmth and very clear sound. It can still pick up even if you're 2 to 3 inches away. Perfect for my use since I sing on stand while playing guitar. I recommend this for pros.
Product Description
Tailored for smooth, natural vocal reproductionCardioid polar pattern reduces pickup of sounds from the sides and rearDurable performance for professional applications Excellent off-axis rejection for minimum feedback Hi-ENERGY½ neodymium magnet for improved output and transient response Quiet-Flex stand clamp provides silent, flexible microphone positioning Frequency response: 20Hz - 20kHz
Product Description
Dedicated vocal and instrument microphones deliver unbelievable quality to your studio and live performance. The Dynamic Microphone XM1800S is a high-quality dynamic microphone for vocal and instrumental applications. The XM1800S features an extremely high signal output that makes your voice cut through and ultra-low distortion provides for super-clean sound. Presence lift in the critical mid-range gives you maximum voice projection, while exceptional off-axis rejection eliminates feedback problems. Super rugged construction and a foam-lined impact-resistant carrying case are included.
Product Description
The SHURE SM57 Unidirectional Dynamic Microphone is a long-time favorite worldwide, and an exceptional performer for musical instrument pickup or vocals. With a bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. Warranty - two years
Customer Reviews:
quality sound for recording.......2007-09-06
audio enthusiasts swear by it, and I believe it's worth every penny. great for above average vocal recording and well-attuned for standard instruments (I tend to use it while playing my a/e martin).
Best all around for over 30 years!.......2006-05-15
Although this mic is now considered primarily an instrument mic, that was not always the case and I've actually preferred this same basic design for live vocal use since 1970 when I bought my first one which was then known as a "Shure Model 545 Unidyne III." That mic got stolen about 2 years ago, but remarkably was still working at the time it got boosted and I was still using it when I needed one with an on/off switch function. I've owned or used countless modern day SM-58's and SM-57's along with dozens of other mics over the years from all manufacturers. I have a fairly deep baritone to bass type voice and I don't need to get closer than about 7 or 8 inches to a SM-57. To me the SM-57 sounds similar to the $469 Shure SM-7 studio vocal mic if you put a windscreen on it and get about 2 inches away. I'd only use an SM-7 in a studio environment though because they are slightly more fragile and over four times as expensive. By design the SM-58's require you to get much closer to the mic to get a full range sound than with the SM-57's. I prefer the SM-57's over the SM-58's for vocal use because they sound crisper on the highs and they sound fuller on the low end. The SM-57 sounds more natural on vocals and never sounds muddy or muffled. The SM-57 has one of the most pronounced proximity effects of any mic I've ever used. If you tend to shove the mic down your throat you may benefit from the less dramatic proximity effect of the SM-58. If you are ever going to use an SM-57 for vocals I'd recommend buying the Shure A2WS windscreen with it. That genuine Shure windscreen fits precisely and locks securely onto the SM-57. The SM-57 will pop like mad without one. The only possible drawback to the SM57 as a vocal mic is that there is no model available with an on/off switch these days. I can't find a modern SM-57 with a switch anywhere. However, if you've ever tried using a mic when you forgot that the switch was in the off position it probably just became a liability. For my money, the SM-57 is the best all around microphone of the past two generations for stage use and some recording purposes. For studio vocals I'd use an SM-7, which really doesn't sound all that much different from the SM-57 when the built-in variable EQ on the SM-7 is set the way I like. The SM-57 and it's predecessors are to me the best all around microphone since 1970 and certainly the most enduring and durable. You can not go wrong unless you get too close with no windscreen.
Industry Standard.......2006-02-27
Seriously? The Shure SM57 sets the standard, which by all other instrument microphones are judged.
No kidding. They work great with guitar (for a REAL acoustic guitar sound, drums, congas, tablas... You name it.. if it's an instrument the SM57 delivers.
I hear it's good for vocals as well. When the President gives a speech, the SM57 is there.
In my experience a vocalist better have above average pipes to use the SM57. The SM58 is better suited to those who lack vocal projection (most wannabe's).
For instrument sound reinforcement... bar-none... the best.
Fantastic Value, for all your Dynamic needs........2005-07-15
This is a great all-purpose dynamic microphone for everything from amps and instruments to vocals, and it's far and away one of the best mics out there in terms of durability (they don't call them the industry workhorses for nothing)/sound/value. This'll blow the socks off those $30 mics.
But what's the difference between the SM-57 and the SM-58? Besides the grill, the main difference is Frequency response. Take a look at the charts in the manuals for both, and you'll note that in the slice of spectrum normally associated with the human voice, there's a boost with the SM-58. This may make your voice sparkle a little more on the SM-58, but if you were planning on possibly micing anything else, it's going to also have a boost in the same range, distorting the original sound slightly.
Plus, if you've got a decent equalizer, you can probably achieve close to the same vocal sound the SM-58 provides with just a little tweaking after the fact.
So, if you plan on using your mic for anything beyond singing, I'd suggest the SM-57 over the SM-58 (even though you may not look as cool holding it). And I'd definitely recommend this little baby over those cheaper models. Unless you need a condensor mic, this is the way to go.
Heavy Duty All Purpose Microphone with a Professional Feel.......2004-10-10
The Shure SM-57 is a work horse microphone that is built solid and very easy to use in various music recording and live performance environments. It's best funtion is to mike a guitar amp and send that signal to the Public Address system if you want to phatten up your instumental signal to a wider audience.
It can be utilized as a vocal microphone. Yet, it does not look as prominant as the famous Shure SM-58.
To mike up the drum set means that you have to buy a quantity of the SM-57s'. Mike stands for the Shure SM-57's come in various dimensions of height.
As a dependable low profile microphone used for speech it is unsurpassed.
Product Description
With a rugged condenser cartridge and Class A electronics, the SM86 is designed to live up to the performance-tested, industry standard SM microphones for live performance. It works well with both stage monitors and personal ear monitors.
Product Description
Quality vocal mic with performance and build characteristics usually found in more expensive mics Frequency response - 40Hz to 16kHz Includes - pouch & mic clip
Customer Reviews:
Great for a starter mic but sounds muddy.......2007-10-03
Got this mic to get started for live and studio work, worked out just fine but muffles the vocal a bit, did not provide the bright, large sound I was looking for. You get what you pay for.
Product Description
rugged Metal Bodyextended Dynamic Response With Pronounced Presence And Vocal punchexcellent Feedback Rejectionvery Good Rejection Of Handling Noisevery High Sound Pressure Handling Capabilityfrequency Response: 40hz-20khz
Product Description
The Shure Model WH20 is a rugged, lightweight, dynamic headset microphone that provides high-quality voice pickup. It fits securely for active microphone users, such as aerobics instructors and musicians, with low visibility for stage appearances. The WH20 is suitable for any voice communications application where comfort and reliability are required. The WH20 has a cardioid (unidirectional) pickup pattern. This provides greater gain-before-feedback and isolation from ambient noise and other unwanted sound sources, such as air-conditioning, musical instruments and loudspeakers. A carefully shaped frequency response includes a voice-frequency presence peak and a low-frequency rolloff to compensate for the proximity effect inherent in cardioid microphones during close-talk operation . An integrated elastic CROAKIES ® headband secures the headset comfortably. The headband, wireframe,and gooseneck are adjustable to accommodate any head size or shape. The WH20XLR is supplied with a foam windscreen and has a three-pin male XLR connector with a convenient detachable belt clip.
Product Description
The PRO70 is a miniature condenser microphone, ideal for both vocal and acoustic guitar applications. The cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Operates on battery or phantom power. Natural and articulate vocal reproduction when used as a clip-on lavalier clothing clip included Excels in pickup of acoustic guitar with included instrument adapter Switchable low-frequency roll-off Corrosion-resistant contacts from gold-plated XLRM-type connector 6' (1.8 m) cable permanently attached between microphone and power module Specifications Element: Condenser Polar Pattern: Cardioid Frequency Response: 100 - 14,000 Hz Open Circuit Sensitivity: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: 200 ohms Maximum Input Sound Level: 123 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Ratio: 67 dB, 1 kHz at 1 Pa Dynamic Range (Typical): 96 dB, 1 kHz at Max. SPL Phantom Power Requirements: 11 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 8 dB per octave Weight: 0.3 oz (8 g) Power Module: In-Line Output Connector: XLRM-type (power module) Included Accessories: AT8411 clothing clip; AT8444 instrument adapter; windscreen; power module (attached); battery; protective pouch.
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